Journey To The Center Of The Earth

Journey To The Center Of The Earth – Cast : Brendan Fraser, Josh Hutcherson, Anita Briem Screenplay : Michael D. Weiss, Jennifer Flackett, Mark Levin Release : July 10, 2008 Director : Eric Brevig Genre : Action, Science Fiction, Adventure, Comedy, Family Stream Now

So the great technicians in the film world want to have a super-realistic “Real D” 3-D technology that was paradigmatic in the art of cinema as were sound, color and size. Well, with this staff. If the arrival of the big 3-D was as big a deal as the arrival of sound, then we are still in the “gimmick period”, and Journey to the Center of the Earth is our own The Broadway Melody: a crappy exercise in mediocrity that goes up when it shines a unique interesting idea to show off a new toy , but only fascinates the listener, the life of life.

Journey To The Center Of The Earth

One thing at a time, because it’s boring as anything imaginable, well goddammit, it’s not the kind of boring you might see in regular old movies!

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Water film (the first live-action narrative in a new 3-D film emerged, after the concert docs U2 3D and Anna Montana and Miley Cyrus – this, God save us all, will be the first Hi-Def home video. released in 3-D), it seems only right to use it as a bludgeon for the lack of technology. No, wait, I meant “studying to take advantage of the genius of the new tech,” that is. Oh, why am I waiting? I’ve made no attempt to hide the fact that I simply don’t like the idea of ​​3-D movies.* And so it happens

? Do you remember the bit where Kermit says, “We promise not to turn down cheap 3-D tricks,” and Fozzie comes out and asks, “Did you say, ‘cheap 3-D tricks’?” and then one of those clapping-paper-parts clattering in the audience? Jim 17 years old, Jim Henson and company were already smarter than the blokes who did it

Which is nothing more than a string of cheap 3-D tricks, although “cheap” isn’t really pretty. Most of them are actually very loose 3-D CGI effects, even shaky CGI that looks all the worse because of its tendency to jump out at the audience. The practical results are not really much better; the film actually manages to incorporate

“Ggs spit on the camera when one already zoomed in on me with more body fluid than I wanted when I bought my ticket.”

Journey To The Center Of The Earth [3d] [blu Ray] [blu Ray/blu Ray 3d] [2008]

A great parish that doesn’t involve such gimcrackery is my wagon ride in the morning that can’t hold a candle to his grandpa in Indiana Jones and the Temple of Heaven; It suggests the whole dimension of riding on a roller coaster, with no speed and wind and nausea and adrenaline. Doing

The first movie of the summer that is both: a) really comparable to a roller coaster ride; and b) a significantly worse roller coaster ride. Tellingly, the one moment that works perfectly is the sequence in which the 3-D effects are completely sidelined; the teenage hero of the movie jumps across floating magnetic rocks that slide around as he lands on them. None of the sequences benefit in the least from dimensionality (even the abyss floating above the painting looks more like a real abyss), and it is absolutely the most beautiful moment in the film.

I’m happy to admit that, in the right hands, 3-D cinematography can still do something brilliant and remarkable (arguably it has: Jack Arnold’s Creature from the Black Lagoon, which became the first 3-D fad in 1954, at least has two shots in which it is used out of proportion, notably it just makes the story deeper). I wouldn’t be surprised if something like this happens sometime in 2009; if less with the wizards of John Lasseter’s Pixar, then certainly with James Cameron’s Avatar in December (although I really hate to admit the latter part). Meanwhile, we have first-time director, long-time visual effects artist Eric Brevig at the helm

And he’s damned if that’s not painfully clear in the way the film privileges performance over story, character, and composition.

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Before I leave this sound completely, one last point, I believe to be very important: the first note is a story made with new technology;

It takes one to demonstrate insurmountable limits. The way that 3-D works is through parallax; There are two different but almost identical images on the screen, overlapping each other so that once filtered through the glasses, each eye sees only one image, and sends that image to your brain. That’s what your eyes always do, anyway; stereoscopic vision is the effect of each eye, which differs in perspective at the edges, and your brain represents the difference between, so to speak, dimensionality.

In the 3-D movie, which is simulated dimensionally on a flat surface, the trap is already fixed in the form of the OMNIMAX dome system, but it certainly cannot be helped on the multiple screen: on the very far right and left sides of the screen, one of the images extends a little further than the other due to the defect it should (you can see this kind of thing if you open your eyes alternately, even though the lines of your field of vision are not in focus. , it’s not something you’d ever notice). If you go far enough to the edge of the map, it is necessary that one of the cameras will mark a certain point, and the other camera will not. And that point is not in 3-D. That is, every frame of the film, the edges of which are very abruptly spread; It is much worse in close quarters. I have learned that your senses do horrible things with your mouth. A man might be mad, having spent too much time in extremes.

It is much worse when someone stands in front of the screen and walks to the bathroom.

Journey To The Center Of The Earth Part 1 By Dinosaurraptorman On Deviantart

It tears a kind of dimensional hole in the fabric of the film itself, with an effect not unlike that of H.P. Lovecraft, that the city of R’lyeh evolves in the minds of the normal four-dimensional universe. I don’t want to talk anymore about what happens when someone walks in front of the screen.

Is a movie where Brendan Fraser plays a crack volcanologist whose brother went missing because he was chasing the world described in the novel Jules Verne. That man’s son, played by Josh Hutcherson, is on the ride, because Fraser is a jaw-droppingly awesome guard, and the cheeky little Icelandic mountain leader (Anita Briem) has to be sexy and Icelandic there. The movie tells unspeakable lies about geology (in ways both big and small), because of the old tradition that in a kid’s movie, you don’t have to give a damn about treating the audience with a little respect. . None of these; The only reason to see the film is because you’re one of the three biggest Brendan Fraser fans on the planet, or because you want to see things jumping around in 3-D. I have nothing but sympathy for those people who saw this in regular theaters, where they should have absolutely no reason to be. “Journey to the center of the earth” put on these gimmicky glasses. This old fashion adventure will wow you with modern 3-D possibilities.

Duck lovers will be relieved to know that the 3-D adventure “Journey to the Center of the Earth” is not a remake of Pat Boone and James Mason’s 1959 star picture in which Gertrude the duck meets an unfortunate end. There is no Gertrude in this “Journey,” which makes no attempt to be an adaptation of Julie Verne’s novel, anyway. But the movie, directed by visual effects for Eric Brevig (whose films include “Men in Black” and “Pearl Harbour”), acknowledges where the idea originated in the first place: The story is related to “Vernians”. obsessive types who believe Verne’s work is filled with secret codes and clues that can lead them to amazing real-life discoveries. This is a film that is faithful to the idea and to the sense of adventure, rather than to a specific work.

It is equally faithful to a certain old movie novelty, 3-D, which for some reason is confusing as the future of movies, although I have to feel that wearing special black-tinted glasses is essential for watching the thing. twin diadem and crinoline. But “Journey to the Center of the Earth” works because it totally loves the nature of its nostalgic gimmick – even though the techniques used have come a long way since André de Toth (who ironically only had one eye) barked at audiences in 1953 when those infamous ball-game-at-ya effects came in “The House of Wax.” Briefly, work from an

Journey To The Centre Of The Earth By Jules Verne

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